20 himni sa engleskih terena od raznih izvođača. Prava poslastica za sve audiofile a ujedno i ljubitelje engleskog fudbala. Se* is more explicit, while retaining some of the mystery characteristic of erotic images. The photos "tell" short stories, like short films, and the models become actors, their movements caught in freeze frame studies, between portrait and narrative. In his new book, the fifth to date, he hones this exploration into something more forthright, close to film. But, more than anything else, he has an artistic project, eroticism and beyond voyeurism, he strives to explore the female body, attitudes, instincts, and dreams. A photographer and film-maker, switching from printed to moving image, he seeks to liberate the image from its final taboos, to escape the conventional representation of se*. Taking advantage of Western society's relative freedom, he has investigated the use that can be made of this dilemma. This realization inspires an artist like Roy Stuart. However, limited by censorship, above all self-censorship, to a restrictive representation of se*, it sentenced itself to insipidness and self-mutilation, believing it could find a way out in vain, repetitive sophistication, paradoxically proving, much to the satisfaction of moralists, that since monotony is always born out of uniformity, prefabricated pornography and eroticism have become, and remain boring. Eroticism has always had "better press," especially since it has often been "involved" with literature and great authors have laid sacrifices on its altar. By becoming industrialized and codified, it then let itself be confined in the twofold ghetto of distribution and its related rituals, churning out a pantomime of crude, unexciting, formatted images. In the 20th century, when pornography made its debut in the film world with its aura of improvisation and amateurishness, it had a caustic challenging quality, a freshness and a natural authenticity. Veliki format, sa unutrašnje strane rikna se odlepila može se lako srediti sa malo lepka (vidi sliku 3) Percussion – Amale Mathews, Charles Brewer, John Fischbach, Josette Valentino, Marietta Waters, Nathan Watts, Nelson Hayes, Renee Hardaway, Shirley Brewerīacking Vocals – George Benson, Josie Jamesį2 Easy Goin` Evening (My Mama`s Call)ē:58īuklet sadrzi tekstove pesama, podatke i zahvalnice. Percussion – Bobbye Hall, Raymond Maldonado*īacking Vocals – Charity McCrary, Deniece Williams, Linda McCrary, Lynda Laurence, Madelaine `Gypsy` Jones, Mary Lee Whitney, Minnie Riperton, Sundray Tucker, Syreeta Wright, Terry HendricksĪlto Saxophone, Tenor Saxophone – Hank Reddĭ1 Ngiculela - Es Una Historia - I Am Singing Trumpet – Raymond Maldonado*, Steve Madaio Written-By – Calvin Hardaway, Stevie Wonderīacking Vocals – Artece May, Josie James, Michael Gray (2), Shirley Brewer 17 funk/soul/disco numera na duplom albumu a na singlu cak 4 numere: Bukletu nedostaje prva strana, ostalo je odlicno ocuvano. Prva ploca je odlicno ocuvana kao i singl a druga ploca ex- ili vg+, sa malo tragova koriscenja. Stanje omota na otvaranje vrlo dobro do vg- (malo je i talasast sa iskrzanim ivicama ali je naslov na levoj ivici citljiv), kao na fotografijama.
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